Saturday, February 28, 2015
You Add Me. I Accept. Then You Ask Me Who I Am… - News
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You Add Me. I Accept. Then You Ask Me Who I Am…
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Friday, February 27, 2015
Thursday, February 26, 2015
These Powerful Photos Of Women Making History Are Incredibly Inspiring. Wow. - News
Women are more than mothers, sisters, and daughters. They’re butt-kicking, history-changing, challenge-accepting dynamos that have made the world a better place for all of us to live–but you already knew that, right? If you needed a reminder of just how amazing women are and have been throughout our history, take a look at the pictures below. If you just want to bask in all of the feminine glory, that’s okay too.
1.) In 1967, Katherine Switzer became the first woman to run the Boston Marathon. As you can see, the race organizer was none too happy about it.
3.) Some of the first females to join the U.S. Marine Corps. swear in during a 1918 ceremony.
7.) Annette Kellerman posing in the swimsuit that got her arrested for indecency in 1907.
17.) Amelia Earhart, who became the first woman to fly across the Atlantic Ocean in 1928.
22.) Turkish aviator Sabiha Gökçen in the plane that she used to become the first female fighter pilot in 1937.
23.) Muslim woman protects a Jewish woman by covering her gold star in Sarajevo during World War II.
24.) Jeanne Manford marching with her song during the 1972 New York City Gay Pride Parade.
25.) Gertrude Ederle after becoming the first woman to swim the English Channel in 1926.
(via Distractify)
Wow! Way to go, women! Men usually get all of the glory and the movie rights, but it’s about time we started honoring the amazing women throughout the decades. Share this post on Facebook by clicking the button below. Let other people know just what women shaped the world.
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Wednesday, February 25, 2015
Trying to wrap up a 21 hour semester going on 6 hours of sleep in the last 36 hours. - News
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Trying to wrap up a 21 hour semester going on 6 hours of sleep in the last 36 hours.
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I'm About To Show You The Hardest Thing That… - News
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Tuesday, February 24, 2015
That's Why There's The Snooze Bar… - News
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Monday, February 23, 2015
What This Elephant Did When Her Loved One Died is So Beautiful. It’s Hard Not To Cry. - News
While on a safari trip in Botswana, John Chaney, an amateur wildlife photographer, was lucky enough to witness a scene very few people have had the privilege to see. And he captured it on film. They found an elephant, and what she was doing is heartbreaking. It further proves the feelings and emotions of animals.
A safari group came upon a carcass of a dead elephant. When they approached it, a female elephant charged from the bushes to protect the body. Then, she lovingly held his tusk with her trunk.
Elephants are known for mourning their dead, but viewing this kind of scene in person is almost unheard of.
She held a vigil over her friend for hours. She protected his body from vultures, hyenas and the humans. She refused to leave the side of her friend… breaking the heart of every single person in the group.
“When we came back two or three hours later she was still in exactly the same place, holding the tusk of her friend,” said John.
Share this touching scene with others to show just how beautiful animals can be.
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What This Elephant Did When Her Loved One Died is So Beautiful. It’s Hard Not To Cry.
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The Most Interesting Man In The World - News
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The Most Interesting Man In The World
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Sunday, February 22, 2015
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Sunday, February 15, 2015
Ben Stiller’s New Comedy Is Secretly About “Catfish” - News
Theory: While We’re Young, the new film from Frances Ha and The Squid and the Whale director Noah Baumbach, is about the Catfish guys.
But the tart comedy, which recently premiered at the Toronto International Film Festival, is about plenty of other things too. Starring Ben Stiller, Naomi Watts, Adam Driver, and Amanda Seyfried, While We’re Young is an arrested development story about a fortysomething New York couple that befriends a pair of twentysomething hipsters. It’s like a New York intellectual’s take on Neighbors, only instead of an escalating prank war, there are arguments at Lincoln Center. It retains the bite for which Baumbach’s dialogue is known, but it’s also warmer, and feels like his most mainstream movie to date.
Then there’s the inside baseball aspect of how it seems to be inspired by a few real directors working in the indie and documentary scene, a film à clef angle likely to matter to maybe a dozen people. The Catfish comparison, though, is something else, leading to a fight about the rules of nonfiction that becomes one of the canniest kids-these-days delineations you’ll find on screen, not to mention a pertinent one in our world of semi-reality fare.
Josh (Stiller) is a documentarian who teaches on the side, and his wife, Cornelia (Watts), produces her famous filmmaker father’s (Charles Grodin) work. After having difficulty conceiving, they decide, with not a little defensiveness, that they’re happy without kids and with the freedom they don’t really take advantage of. Josh has been working on the same project for eight years, a sprawling, fabulously dull-sounding doc he describes in terms of war, materialism, and industrialism, always concluding with, “It’s really about America.”
Feeling alienated from their baby-having friends their own age, Josh and Cornelia fall in with a pair of twentysomethings instead — the wonderfully named Jamie (Driver) and Darby (Seyfried), who live in a Brooklyn loft in Bushwick with a roommate, a pet chicken, and kittens named “Bad Cop” and “Good Cop.” They wear hats and they’re always making or doing things — having “street beach” parties, riding bikes everywhere, and partaking in ayahuasca ceremonies. Jamie shoots videos (“Who’s The Most Famous Person In Your Cell Phone?”) and professes to be a huge fan of Josh’s work, while Darby makes ice cream in flavors like avocado and almond milk and takes Cornelia with her to a hip-hop dance class.
While We’re Young begins as a wicked send-up of hipsterism, from its undiscriminating consumption of high and low culture to its fetishization of all things analog (of which the fact that Jamie and Darby are married seems a part). The film takes a few jabs at Gen X neo-bourgeois life too — like when Cornelia tags along to a friend’s nightmarish baby music class. But the generation gap themes blossom into something bigger when Jamie comes up with a video idea in which he plans to visit the first person who contacts him on Facebook, in real life.
Josh thinks of himself as a defender of nonfiction, but his purist stance is just as much a generational sign as the alarming flexibility he sees in Jamie. He asks what it means to make a documentary when everyone’s filming everything anyway; after all, older documentarians, from Nanook of the North’s Robert J. Flaherty to Werner Herzog, have had no trouble goosing the truth for something that feels more real. Behind all the jokes about hipster life, While We’re Young has a genuinely conflicted heart — it’s about the realization that young people aren’t just younger versions of you, that they’ve grown up in different contexts with different priorities and beliefs, especially in the internet age.
Josh thinks Jamie’s documentary concept is fluffy, but volunteers to come, becoming part of the discovery that there’s a much larger story to be told about the guy upon whom Jamie’s apparently stumbled. It’s a happy accident that soon seems like it might be more calculated than Jamie’s been letting on.
Which is where the Catfish comparisons come in (apart from the fact that Baumbach’s partner and Frances Ha collaborator Greta Gerwig once shared an apartment with Catfish director Ariel Schulman and another friend). It’s a set-up that was depicted in Frances Ha, which drew details from Gerwig’s own life and featured the title character sharing a Chinatown three-bedroom with two roomies, one of them the hat-wearing Lev Shapiro — played, of course, by Adam Driver). Before it was an MTV phenomenon, Catfish was a documentary directed by Henry Joost and Ariel Schulman and centered on Nev Schulman’s online romance with a Michigan woman named Megan, who, in now classic fashion, turned out to be someone’s fictional creation. The film premiered at Sundance in 2010, where it received a lot of attention and plenty of praise, but was also questioned on its truthfulness. “I think you guys did a great job, but I don’t think it’s a documentary,” a man reportedly said during the Q&A after the premiere, while journalists questioned how a trio of media-savvy New Yorkers managed to go months without Googling the person they’d been documenting.
Like Jamie, Joost and the Schulman brothers were accused of manipulating the context of their story and the way they stumbled upon their subject, reworking the side of the film they had control of so that it was more interesting, the doc equivalent of retaking selfies until you land on one you like. The Catfish filmmakers insisted their work was completely above board, but the moral of the story, and the issue While We’re Young latches onto, turned out to not be whether they fabricated part of the movie, but whether anyone would care. The answer in Baumbach’s movie, which was picked up by A24 for a theatrical release, is best left to be discovered when it comes out, but in real life — well, Merriam-Webster added a brand new “false social networking profile” meaning to the word “catfish” in May.
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Ben Stiller’s New Comedy Is Secretly About “Catfish”
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